E·ratio

Über companionables. Edward Gorey’s covers for The Ambassadors, The Awkward Age and What Maisie Knew by Henry James. On What Maisie Kn...

SONG What I took in my hand grew in weight. You must understand it was not obscene. Night comes. We sleep. Then if you know what say it. D...

Edward Gorey’s cover for   Nineteenth Century German Tales  edited  by Angel Flores.    e·

E·RATIO SMEARED Who is Phillip Levine and why is he saying such awful things about me? This post was found on one of the message boards at ...

E·RATIO SMEARED WHERE’S THE ROPE? In his infinite wisdom (or is it, “wiz-” dom), Michael Neff, founder, chief artist, and executive directo...

E·RATIO SMEARED Jack Foley responds: Various people, including Dana Gioia, have insisted that we need more criticism. No doubt these people ...

Edward Gorey’s cover for Poor People & A Little Hero by Fyodor Dostoevsky.  e·

Edward Gorey’s cover for   Redburn   by Herman Melville.   e·

E·RATIO SMEARED Letter of 2/11/05: Dear Editor of Eratio Postmodern Poetry, Recently, you made an effort to have one of our editors thrown o...

E·RATIO SMEARED This "review" just up at Web del Sol, by Tim McGrath: "Eratio Postmodern Poetry :// View | Rating: Eratio...

ELECTION EVE 2004 I go out hungry. Vestiges of ancient meat hang in the branches, swing from the flag poles, pour like rain out of windows i...

Edward Gorey’s covers for The Adventures of the Black Girl in her Search for God by George Bernard Shaw and Noble Essences by Osbert Sit...

What's Jukka up to at nonlinear poetry ? I've been following the discourse that has sprung up around Jukka-Pekka Kervinen's rec...

A Selection of Visual Poems by Bob Grumman I've been following Bob Grumman's writings, both poetic and theoretical, and his progr...

Edward Gorey’s cover for   Troilus and Cressida   by Geoffrey Chaucer.   e·