E·ratio

Edward Gorey’s covers for You Can’t Go Home Again and The Web and the Rock by Thomas Wolfe. She was always using the word “fancy,”...

Edward Gorey’s cover for An Elizabethan Song Book, edited by Noah Greenberg, W.H. Auden and Chester Kallman. Notice Gorey’s initials, to...

“Symbols are only the vehicles of communication; they must not be mistaken for the final term, the tenor, of their reference. No matter h...

a noun sing e·ratio 14 · 2011 with poetry and such by Alan Halsey, Carey Scott Wilkerson, Keith Higginbotham, Simon Dutton, Anne B...

Joseph made this art to accompany my poem, “The Galloping Man.” Merry Christmas, Joseph. e·

The Anti-Christ is not a person, the Anti-Christ is an action .  e·

E·ratio issue 14 is in production. Proofs will go out soon. e·

“Papier collé pipe et bouteille” (pasted paper pipe and bottle) by Picasso. 271 of the master’s creations turn up in France . e·

Edward Gorey’s covers for The American Puritans and The American Transcendentalists both edited by Perry Miller.  On The American Purita...

Edward Gorey’s cover for   Coningsby   by Benjamin Disraeli.   e·

a noun sing 4 new e·chaps from e·ratio editions #10. The Galloping Man and five other poems by Gregory Vincent St. Thomasino. “ . . . h...

Jack Foley reviews MYSTERIOSOS AND OTHER POEMS      by Michael McClure “Michael stands on my back / growing wrin...

A review of Strange Is Normal The Amazing Life of Colin Wilson . This feature-length documentary interview is nothing le...

Edward Gorey’s cover for Thomas Szasz’s The Age of Madness. e·

Of all my Edward Gorey collection, one of my favorites. Edward Gorey's cover for The Duke of Palermo and Other Plays by Edmund Wils...