E·ratio

Read Me!   An interview with Carey Scott Wilkerson, publisher of my volume of poetry,  The Valise. . . . “The discussion is wide-ranging a...

Come see me, this Saturday, September 15, and then again next Saturday, September 22, 5 to 10 PM, corner of Mulberry and Prince. It’s The...

Review of COLORFORM at Fontana’s (105 Eldridge, Lower East Side).  Made it over to Fontana’s last night for a performance by the concept b...

Made it over to the Microscope Gallery in Brooklyn this weekend for EXQUISITE FUCKING BOREDOM, Polaroids by Emma Bee Bernstein. This is ...

Photo from The Indian Moose Tour, New Hampshire and Maine. (This is Maine, Friday, February 17, 2012.) What does ...

Susan Bee, Recalculating, 2010. (Oil on linen, 16 x 20 inches, from the collection of Richard Deming and Nancy Kuhl.) I am happy to...

Next time you’re in a used book store that carries old journals and old art-lit ’zines, look for copies of Atticus Rev...

a noun sing e·ratio 15 · 2012 with poetry by Morgan Harlow, Candy Shue, Jan Lauwereyns, Doris Neidl, Tim Trace Peterson, Jen Besem...

Joseph F. Keppler on Ralph La Charity THOUGHTS PROMPTED BY POEMS ARRIVING WITH YESTERDAY’S MAIL That ancient Greeks worked in the lang...

E·ratio's reading period for issue 15 is in full swing. If you're awaiting a response, please know you'll have one very...

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Foreword by Jack Foley Foreword by Carey Scott Wilkerson A Parson, A Prior, A Parlour Tender Telemetry Self-Portrait with Bandaged Ea...

Congratulations to Mark Young whose poem, “A line from Paracelsus,” which appeared in E·ratio 14, was selected by John Tranter for Th...

“all that is not you. I” Notes after from IDYLLS & RUSHES by Susana Gardner (Dusie Kollektiv, spring 2011). The book begins (?) w...

I am reading Around the Outsider: Essays presented to Colin Wilson on the occasion of his 80th birthday edited by Colin Stanley and pub...