E·ratio

The complete catalogue for the Rhythm of Structure: Mathematics, Art and Poetic Reflection show is available to read online at issuu . Lo...

THE DARK WOULD language art anthology edited by Philip Davenport This is a moment in time when poets and many artists share the same pr...

The Apollinaire Museum at E·ratio · Il Pleut .  e·

e· a noun sing e·ratio 16 · 2013 with Lauren Marie Cappello, Alan Halsey, Marcia Arrieta, Nathan Hauke, Brad Vogler, Emilio P...

Here with a line (a nose) from Les Demoiselles d’Avignon. e·

The Sarah Valeri Interview Sarah Valeri of the band Colorform Music and Live Art interviewed by Gregory Vincent St. Thomasino ...

E·ratio issue 16 is in production. Proofs are on the way. If you are awaiting a reply to your submission, please know that one is coming...

Contributing editor Joseph F. Keppler (center, smiling ) is a sculptor, a poet, a theorist and essayist, a member of The Seattle Group and...

Read Me!   An interview with Carey Scott Wilkerson, publisher of my volume of poetry,  The Valise. . . . “The discussion is wide-ranging a...

Come see me, this Saturday, September 15, and then again next Saturday, September 22, 5 to 10 PM, corner of Mulberry and Prince. It’s The...

Review of COLORFORM at Fontana’s (105 Eldridge, Lower East Side).  Made it over to Fontana’s last night for a performance by the concept b...

Made it over to the Microscope Gallery in Brooklyn this weekend for EXQUISITE FUCKING BOREDOM, Polaroids by Emma Bee Bernstein. This is ...

Photo from The Indian Moose Tour, New Hampshire and Maine. (This is Maine, Friday, February 17, 2012.) What does ...

Susan Bee, Recalculating, 2010. (Oil on linen, 16 x 20 inches, from the collection of Richard Deming and Nancy Kuhl.) I am happy to...

Next time you’re in a used book store that carries old journals and old art-lit ’zines, look for copies of Atticus Rev...